one thing leads to another
10 March 04
The summer I created pamie.com, the main event of that year was
my comedy troupe's trip to Los Angeles to perform at the HBO
Workspace for an Aspen Comedy Festival audition. That was six years
ago. I can't believe it's been that long already. We rehearsed
constantly, and I wrote about those exciting days of hope and dreams
as I found the footing of this website. I remember I was too nervous
to even use the letters "HBO."
I wrote then:
I'm going to Hollywood in a couple of weeks to perform/audition
for a cable company (sounds like "ItchKnee, Yo"). My troupe is
going and we are putting on a little show for them. That's how
some people refer to it. The "little show." Like I'm still in the
third grade and my mom is making me a costume of a giant milk
carton. I guess it's hard to explain what it means when it looks
like we're scrounging together all this money to go and we're
hoping that they notice us. That makes it look like a "little
show." That and the show is only 45 minutes long.
In any event, I'm terribly nervous. Just a few of us from the
troupe are going, representin' as a whole.
I want to keep telling myself that this is just another
audition, and I should keep myself in check and not to sweat it
and everything, but I really feel that if I lived on the West
Coast, it would be easier for me to think of this as just an
audition, but since each of us is paying, like, a thousand dollars
to go perform for 45 minutes, it really ups the personal
stakes.
Then, one week later (don't get whiplash from the old pop culture
references, and check out my eerie white tiger prediction):
I'm leaving tomorrow. On a jet plane. Going back to Cali. I'm
fitting all the cliches in here that I can.
And posting my list of big fears:
I will miss the plane. The plane will go down in the Grand
Canyon. The plane will go down where John Denver's plane went
down, and I will become a John Denver statistic and the subject of
various conspiracy theory web pages. I will miss my connecting
plane. I will get lost in LAX. My boyfriend will kill me
before the flight is over from all of my endless chatter about
"well, what if...?" "Are you sure we...?" "Did you remember
to....?" No one will pick me up. No one will pick me up
and it's because they meant not to pick me up. No one will
pick me up and when I call them I hear them laughing in the
background telling me no one is there although they shouldn't have
an answering machine in a hotel room.
I will get lost in Los Angeles. I will be the palest
person there. I will be the shortest person there. The
hotel will have an outhouse. I've forgotten all my
props/costumes/lines. I will have forgotten all my underwear.
All I can find is some other girl's underwear.
My luggage gets switched. The only thing open is
"Arby's." I'm attacked by white tigers. I can't find my
troupe. We get to the theatre and we say, "We're performing
here tonight." and they say, "You don't look like Air Supply, but
okay."
The show is a disaster. No one calls us back. The show
is a complete success. No one calls us back. We get called
back to perform on "Barney." We get a guest spot on "The Magic
Hour."
I look for my lost contact for an hour before I remember
I have 20/20 vision. I get random, unpredictable,
uncontrollable vomiting in front of any person of any importance
(bellmen included). Someone mistakes me for Carol Channing.
My parents find a way to the show, traveling thousands of
miles to sit next to Mr. Big Head Honcho(s) and say "I've been
telling her to stay with computers for years, but she won't
listen. I'm sorry about this. I'll make sure she's grounded when
we get home." And then they call my landlord and get me grounded.
We forget our own names. We lose members of the troupe
during the performance. No one laughs. No one laughs.
No one laughs.
Someone's doing that nervous coughing audiences do.
We're the ones doing the nervous coughing. I lose my
voice. I lose my vision. I turn into a sheep. (these
things keep me up at night, okay?)
I'm doing the wrong show. I'm on the wrong stage.
I'm wearing scuba gear. I'm wearing Richard Gere. My
teeth fall out. No one notices my teeth have fallen out. I
trip and fall off the stage. I get so nervous I pee. I get
lost in the theatre bathroom. I get locked inside the prop
closet. I notice my name is on a list for "reserved seating."
I lose all my money. I wake up with "Comedy Sux"
tattooed on my wrist. I wake up in a drive-in movie parking
lot in Tuscon. I forget that I have a show. I sleep
through the show. I talk on the phone with my parents instead
of going to the show.
For some reason the show is canceled so I can have a
wedding to some guy I've never met but has promised me a "nice
sitcom." I get famous and lose it all in a strange scandal.
That scandal involves all of my teeth falling out. Sharks
swim on land and take me away to their watery lair.
Six years can pass, but the fears pretty much stay the same.
On the second day we found a small dumpster outside a theatre
filled with headshots and resumes. I wanted to save all of them.
Wipe the food and coffee of their smiles and perfect hair and find
a better place for them to rest. Not because I wanted better
karma, but because I wanted to take care of my fellow
entertainers...there was something about seeing so many hopes and
dreams at the bottom of a trash bin that was too spooky for words.
I only hope that when someone finds my headshot they don't use it
for a coaster.
I mean, that's my head, man. - August 11, 1998
The keyboard broke during our dress rehearsal, hours before the
show, and while the musician went off in search of a replacement, we
tried to soothe our frantic nerves by visiting a nearby psychic.
The psychic said I was too uptight, that I needed to relax, and
all I could think was, "Ohmigod, you can tell how tense I am from
looking at me? That can't be good. I'd better do something about
that. What should I do? Maybe I'll make a list of things that I
could do to calm down and then I'll prioritize them in ways that I
think could possibly help me fastest and then I'll officially
become a member of the mind
body soul network and pay my dues and spend $25 a pop on an
e-mail telling me that my problems are all in my head."
And then I realized that I was sucking on one of her tarot
cards. She asked me to put it down.
I gave her five bucks and thanked her for her insight.
She also told me that I hadn't found my husband yet, that my
soulmate was out there, and that very good things were going to
happen to me because of Los Angeles. She said I was going to be very
happy someday. She also said the keyboard was going to work just
fine.
The keyboard was flawless. It miraculously started working again
half an hour before the show.
I just celebrated my three-year anniversary with stee.
And yesterday we found out that our show at the Comedy Central
Workspace, formerly the HBO Workspace, is completely sold out.
In 1998 we were begging people to attend this free show. We met
strangers in bars and promised them things we couldn't really
deliver. We went to Barney's Beanery, and I met Cynthia Szigeti, the
woman who one year later told me I had to get out of Austin and move
to Los Angeles. "You just have to," she said. Two years later she
became a cast member of Call Us Crazy: The Anne Heche
Monologues.
I'm pretty nervous about the show next week, because Liz and I
have done something that leaves us with very few excuses if it
doesn't work. Normally when you see a friend's show, you can blame
your shitty time on the script, the director, the other crap actors
in the show, or the fact that only your friend's one scene was worth
watching. We have my favorite director that I've been working with
since I was eighteen. Liz and I wrote the whole thing (except for
the song by the gifted Brothers Blau) and we're on stage the entire
time. Not only that, we're reading some pretty personal stuff. All
of which means if it fails, it's completely our fault. Nobody to
blame.
And so to that I say, "Shit, man. It's free. Calm down."
The show is not only sold out, it's oversold, so if you're one of
the lucky who got a reservation make sure you get there early enough
because it's first come first serve at that place. We're hoping the
early enthusiasm means they'll give us an additional date, but it
wouldn't be for a few weeks.
The show was
inspired by the old "Dear So and So" letters from pamie.com. I was
telling Liz about these pages and pages of forum threads we used to
fill here to celebrities and inanimate objects.
So my life is a little bit like I've gone back in time, recently.
I'm working a job while hustling freelance gigs while working on a
comedy show for the same LA audition and I'm hardly home and I'm
bone tired and I'm really excited and happy to be doing what I love.
I said to Jessica, "This feels like college again." And she said,
"Well, welcome back to my world. I never left it."
I keep thinking it's about to calm down, as the night job ends
this week and the show goes up next week, but then I am very busy
finishing up this draft of Why Girls Are Weird, going to a
couple of film festivals (I'll be speaking at the "Women Making
Film" panel at this one), a
wedding and an attempt to visit the King and Queen of Cheese. That's nothing new
for me either, going out of town every other weekend.
Where am I going with this trip down memory lane? I don't know. I
was making my coffee this morning thinking about how I'm working
very hard this week to be in the same place I was busting ass to be
six years ago, but the audience came much more easily this time. I
suppose the work was just as hard, and probably more challenging and
scary this time around, but the goal is still the same. I'm still
hoping for another door to open, another opportunity to present
itself. I try to make sure one thing leads to another.
This time I'm not so worried about the city eating me alive.
Currently Reading:
Fugitives
and Refugees: A Walk in Portland, Oregon, by Chuck Palahniuk
Finished: Henry's
List of Wrongs, by John Scott Shepherd. Actually, I skimmed the
last half. It was almost all dialogue, so it read like a screenplay.
I got it without needing the length.
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