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Literary:
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Why
Girls Are Weird -- novel. Pocket Books, currently in stores.
Spent weeks on the San Francisco
Chronicle Bestseller List. Voted on an AP list of five
Chick Lit books to watch (July 27, 2003, Page 1, Fort Worth
Star-Telegram -- "This book is truly funny.")
Film rights have been optioned by Robert Cort Productions.
Adaptation will be written by the author.
Reviews include:
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Bookmark Now: Writing in Unreaderly Times -- anthology. Basic Books, May, 2005.
An anthology of original essays from our most intriguing young writers, Bookmark Now boldly addresses the significance of the production of literature in the twenty-first century. Or simply, "How do we talk about writing and reading in an age where they both seem almost quaint?"
Edited by Kevin Smokler. More about this book at Bookmark Now.

Cold Feet -- anthology. Downtown Press, May, 2005.
The bride-to-be in Pamela Ribon's "Sara King Goes Bad" has always done the right thing but decides it's important to know what it feels like to be reckless for once. And so two weeks before her wedding, she indulges in an unforgettable night of sex, drugs, and petty crime.
Other contributors include: Heather Swain, Lisa Tucker, Elise Juska, and Tara McCarthy. Read the review in Romantic Times.
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pamie.com - (June 1998- July 2001, July
2002-) Webmaster, designer, content creator and Pop Culture Princess.
Award-winning personal site that specializes in non-mainstream content.
Special focus on Pop Culture, theatre, comedy and "Why Girls
are Weird." Media attention in the SXSW Interactive festivals
2000 and 2001, Austin Chronicle (Pamela Ribon: Sealed With a Squish, and winner of Best of Austin, 2000), and Austin-American Statesman.
Portfolio available on request. (Also known as "Squishy") Yearly bookdrive received media attention in Austin Chronicle ("Shelf Life Support")
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Feature scripts:
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It Skips a Generation -- Eighteen-year
old Marty learns more about herself than she ever bargained
when she meets her eccentric grandmother for the first time
on a cross-country road trip. Rights optioned by Brent Armitage
and his New Shoes Productions. Winner, Hollywood
Gateway Screenwriting Contest, 2002. Semi-Finalist
(out of 4000 scripts), Austin Film Festival, 2002. Quarter
Finalist, Scriptapalooza, 2002.
Booty -- A group of Sorority rushees
search to find pirate treasure to save their beloved house.
Thanksgiving -- When Elizabeth
plans to announce her recent engagement on Thanksgiving to
her large, bizarre, and complicated family, she discovers
her parents have quite a surprise of their own.
Groomsday -- Bill thought he could do anything. Then he had to
plan his own wedding.
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TV Spec scripts:
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Less Than Perfect -- "Dogma"
Sex and the City -- "Hello, Stranger",
Semi-Finalist, Austin
Film Festival Sitcom Teleplay comp., 2001
Will & Grace -- "Drama Queens", Semi-Finalist,
Scriptapalooza
Sitcom Teleplay comp., 2002
Sex and the City -- "Loving Me, Loving Me"
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Other work seen in : Austin
American-Statesman , Television
Without Pity,
ADV
films, Fresh Yarn
Theatrical:
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Letters Never Sent - Liz Feldman and Pamela Ribon revive the delicate art of letter-writing by
sharing the letters hidden in the back of their closets, shoved underneath their underwear, and tucked in
the pages of their childhood diaries. They come clean on their feelings about love, religion, fame, and
people who like to be peed on. Letters Never Sent satisfies the deep desire to read other people's mail
without having to share any of your own. Comedy Central Stage, March 2004. Stages Theatre, April 2004.
Official Selection for 2005 US Comedy Arts Festival. (USCAF info page) (Press: Aspen Times, Feb. 2005)
Call Us Crazy: The Anne Heche Monologues - Creator,
Director, Performer. Fifteen precious pieces of remarkably
crazy writing from Celestia herself. The Knitting Factory,
November-February 2001-2002. The Hudson Avenue Theater (reviews), January-February, 2003.
What A Girl Wants - One Woman Show, Momfest 2000,
Austin, TX
Slumber Party - One Woman Show, Showcase for US Comedy
Arts Festival consideration, 1999.
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(More available upon request)
Representation:
Literary: Kim Witherspoon, InkWell Management, New York
Film/TV: The Gersh Agency, Los Angeles
Theatrical: The Gersh Agency, Los Angeles
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